VISIT THE PALACE
OLINDA'S ROOM
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The narrow room, located in one of the highest parts of the castle, is traditionally said to be the place where Olinda was locked up and consumed by her lovesickness. Olinda, the main character of one of the most popular legends in Trentino, may be identified with the noblewoman Maria Elisabetta Thun. |
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HALL OF THE COLUMN
| Austere and evocative, the Sala della colonna is so called because of its robust central stone pillar. Built at the base of a medieval tower, it constituted, together with another building included in a walled enclosure, the original core of the structure. This was probably the walled domus erected by the brothers Rodolfo, Enrico and Arnoldo di Cagnò by concession of the prince-bishop around 1235. | ![]() |
GREAT HALL
| A spacious representative environment, this hall is also known as ‘degli erkers’ (‘of the erkers’) due to the presence of two bay windows (erkers), which lend it both elegance and luminosity, while softening and enlivening the external façade. Its construction is part of the renovations initiated by the Thun family in the early decades of the sixteenth century to redefine their residence. The adjacent corridor, decorated with a fresco frieze depicting mermaids, dates back to the same period. |
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COUNT’S STUBE AND COUNTESS’S ROOM
| Housed in the ancient tower of the castle, this elegant and discreet room preserves fine nineteenth-century fir wood panelling, painted in tempera with delicate plant-inspired moulded motifs, following the traditional Trentino-Tyrolean stube model. The room is also complemented by the presence of a majolica stove. It connects to the Countess’s room, an intimate and measured space, which may be identified as the Frauenzimmer, a women’s chamber frequently mentioned in historical documents. | ![]() |
ROOM OF THE LIGHT BLUE FRIEZE
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Accessible by ascending the imposing stone spiral staircase, renovated in 1571, the second floor consists of a series of rooms probably intended for private use. Several rooms still preserve traces of the sixteenth-century pictorial decoration, such as the large corner room decorated with a grotesque monochrome frieze on a light blue background.. |
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